Frequent readers of zweikommasieben will know that the creative processes we highlight in our magazine are an eclectic gathering of influences that result in varied creative practices. This plurality informs a question we have repeatedly asked ourselves: what might be the common denominator connecting all the dots? For this issue, we would like to make the case for the discursive potential of personal experiences.
Once the personal is taken seriously, anecdotes provide major insights into an artist’s practice. A portrait on producer Malibu taps into memories of popular culture and traces musical experiences from her childhood to highlight the dedication she brings towards composing melodies and using samples...
zweikommasieben #23 also wishes to make visible the full range of its contributors. Annotations in the margins gesture towards the intuitive processes characteristic of this magazine: from an initial interest in an artist and their work, to the experience of exploring it in the context of a conversation, and to collaboratively reflect on text and photography with various people.
-interviews with Bass Clef, Crystallmess, Flora Yin-Wong, Grand River, Ikonika, Jabu & Daniela Dyson, Meemo Comma, and Tygapaw
-portrait on Malibu
-essay by Space Afrika
-Contributes by Jessika Khazrik and Sara Berts
-columns: Soundtexte (poetry), “Art Review” (art review), and We are Time (photography)