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Peaks provides 4 different functions in a small 8-HP package. Their common point? They are all about generating an audio or CV signal in response to a trigger, and are all focused on rhythmic works.
Peaks is a dual-channel module – making it very useful for duophonic patches or for controlling/synthesizing the kick/snare rhythmic backbone of a patch.
Peaks’ first function is a no-frills ADSR envelope with segment times going from 0.2ms to 8s. Carefully tuned envelope shapes (quartic attack, exponential decay and release) provide a smooth but nervous response.
Peaks’ can work as a free-running, resettable LFO, or as a tempo synchronized LFO.
5 waveforms are available, each of them with a shape/morphing parameter: wavefolded sine, variable slope triangle, PWM square, stepped triangle and sampled/interpolated noise.
A unique feature of Peaks is its ability to lock onto irregular sequence of taps: the module can detect the periodicity of the incoming trigger pattern, and adjust the duration of the LFO cycles accordingly.
Peaks can synthesize bass-drum, snare-drum and hi-hat sounds using a digital model of the TR-808 circuits. An alternate drum generation mode synthesizes more aggressive FM-style drum sounds.